One week from today (Jan 18) is the Filth comedy show in San Marcos at the Wake the Dead Coffee House. This weekend is the Star of Texas Tattoo Art Revival here in Austin. Two weeks from now, I will be hitting the road, along with the incredibly funny Joel Keith, to play dates in DC, NY, & IL. Shortly thereafter I will be doing shows in Norman, OK and Farmington. MO.
Advance sale tickets are available for some of these shows and they are cheaper than getting them at the door day of show, assuming they are even still available - some of these are small rooms & expected to sell out. You can get advance tickets for the DC show at half-price if you act now!
Links for tickets, information, etc. can all be found at http://www.thelizardman.com/
A week ago I spent an evening as the greeter at a private party in Chicago. It was a surreal experience that included live reindeer and watching Ron Jeremy play xmas carols on the harmonica while backed by a disco cover band in full costume glory. The following day I was in Rockford, recording three new songs for Lizard Skynard ( http://lizardskynardband.com/ ). I thought I'd share a preview of the lyrics here.
The first song is one that we have performed live a few times but has undergone a lot of tweaking, the working title has been Yazzmaster but it might now be known as Citizen Slave:
Citizen is just another word for slave
Electing your masters won't make you free.
There are no rights.
You're nothing but an exploitable resource to them
The next one was an adaptation of Ballad of the Billy Goats ( http://thelizardman.posterous.com/ballad-of-the-billy-goats ):
Reason failed me long ago
Centuries submerged within the pit
Madness became more than refuge
Insanity a welcome friend
Lost in a forest of days
Shrouded in despair
First, we heard the bells
For the goats made not a sound
We followed them for days
That they should lead us to their home
Led into the mountainside
We thought for shelter from the rain
Descended into blackness
A chamber thick with scattered bones
Dripping down thick from their beards
the blood drained into the pool
A sanguine mass congealed
Horror of concept and form
Those consumed envy the dead
Engulfed by worlds end
Finally, I did a number of readings of Pernicious Purple Parakeets ( http://thelizardman.posterous.com/pernicious-purple-parakeets ) in different styles which were overlayed on one another for the last track.
There is a commercial (which I will link to below) for Cabela's Big Game Hunter 2012 which features a man and a deer sitting on couch, the deer is playing the game gleefully shooting virtual deer, and the man's reaction is to comment "that's messed up..." Contrast this scenario with a person playing any of a plethora of other video games wherein humans are killed with equal glee & disdain and you would probably find such a reaction to be nonsensical. Call of Duty would never run a comercial showing one gamer telling another that his in game actions were "messed up" if he just racked up a killstreak gunning down virtual people.
Just in case someone ends up reading this who doesn't know my background, I am a gamer and I am not criticizing game violence. Like so many other people I revel in the cathartic opportunity to gun down my fellow man in virtual settings. In fact, I doubt I would be so well adjusted and I know I would be less happy if I were not regularly afforded these gratuitous furloughs of violent fantasy. The reason I am singling out this commercial is that I find it strange, especially given my own reaction to it (laughter). The humor is derived from making an anthropomorhic deer and then being shocked when said deer acts exactly in the manner common to man.
If there truly is a trait unique to man among all the animals it is probably the conceit of placing ourselves above other animals based on our capacity to act in a 'civilized' fashion. Isn't it a bit odd then that when we portray animals as our equals that their human behaviour is shocking or surprising to us for its lack of civility? This is either the unintentional pulling back of some strange psychological curtain or Cabela has suddenly shifted from mediocre game company to first rate cultural critic using games as a medium.
Commercial link: http://youtu.be/xXYIeHC8D20
The birdbath was not my idea, it was hers. She said that the yard seemed empty and it bothered her that we never saw any birds. We found the bath at an estate sale, a disregarded relic of a nearly forgotten era when people gathered in gazebos and sipped cocktails to disguise their mutual contempt for one another. I wanted to have it restored but she preferred its aged charm. Filled with only pure, filtered water it would cloud with filth and slime would nearly form before your eyes. The birds never came, they manifested. Lilac and magenta colored demons never seen in flight, never coming, never going, simply appearing and only at dusk. There was just one at first but soon they were a swarm more murderous than a million crows. When the last light was extinguished and we retired to bed their beaks could be heard pecking at the window but at the first sign of light they would be back sitting around the edge of that fetid, swamp of a bath. Not so much as a discarded periwinkle feather was left behind to betray their assault. After a week I vowed to smash their marble portal to a thousand pieces but she would not hear of it, she claimed I was going mad. That night the pecking was louder than ever before and then suddenly punctuated by the sound of shattering glass. I lept from bed and threw on the lights to find the window pane still whole and those birds at their perch in the yard. Turning back to our bed I saw my wife's corpse, her eyes had been pecked out.